In the center of the city, on the pedestrian zone of Dzerzhinsky Street, there are decorative sculptures created by local authors G. M. Vizeley and V. A. Sargsyan. These works of art are inspired by the mythology of the Khanty and Mansi and reflect the traditional culture of the Ob Ugrians and the nature of Priobye. The composition has no definite beginning or end; it can be viewed from any direction. This symbolizes the cyclicality of mythological time, which, unlike linear historical time, is constantly renewed and returns.

The mythological path can be perceived as an ascent up steps, a closed circle or labyrinth, as well as a journey through the Seven Hills of Khanty-Mansiysk. The entrance to this time is open to all who can distract themselves from the everyday and feel the rhythms of the sky, fire, and their own breath. The exhibition consists of seven parts, reflecting the sevenfold nature of mythological time.

The first part, "CRADLE," is dedicated to the creation of the world and humanity, featuring images of the Goddess of the Earth and Motherhood, as well as a cradle descending from the heavens on a golden chain. The second part, "PLAY," shows the path from childhood games to adult rituals, symbolizing the male and female principles. The third part, "SEASONS," represents a dialogue between the paintings "Summer" and "Winter," reflecting the life cycle of the traditional calendar. The fourth part, "SANCTUARY," depicts the pantheon of gods in the taiga of Priobye. The fifth part, "HEAVENLY RIDER," presents God and the cultural hero Mir-susne-huma on a winged horse. The sixth part, "CLAWED OLD MAN," tells about the bear world from the den to the home, where bear games take place. The seventh part, "SHAMAN," immerses one in shamanic worldview, with the "dark chum" and paintings of "Musical Cape" and "Fly Agaric Woman." Shamans are considered intermediaries between people and gods; they can penetrate all spheres of the Universe and speak all languages: animal, tree, and human.