Located 2 km north of the village, on the edge of a pine forest. The western part of the territory, surrounded by a fence with towers from the 19th century, is occupied by a cemetery, while all the buildings of the complex are compactly arranged in the narrower eastern part. The road from Ilyinsky-Khovansky leads to the main Holy Gates, which are located on the main axis of the complex, ending with a tall bell tower from 1867. Its lower tier serves as the entrance to the cemetery. To the north of this axis stands a large church of Dimitry of Thessaloniki with a tented bell tower, built in 1801 to replace a wooden one. It is pushed towards the eastern side of the fence and, along with the gates, forms the 'foreground' of the ensemble. Westward, behind the church, a modest low rectory was built in the mid-19th century. In the southern part of the complex, set back into the territory, is a small winter church of Mitrophan of Voronezh from 1844. The contrast between the massive volume of the Dimitry church and the modest winter church, the emphasized gate facade, and the dominating verticality of the bell tower create an impressive panorama of the pogost when approached from the east. Despite the different times of construction, the style of classicism predominates in their appearance. The well-preserved temple complex provides insight into the cult architecture of the 19th century.
The bell tower, a monumental five-tiered brick structure in the style of late classicism, except for the upper baroque tier with a convex faceted dome on a high neck. The faces of all tiers, except for the top one, are decorated with paired half-columns on the sides of the arched openings. In the lower tier, the columns are Tuscan, while in the others they end with simplified Ionic capitals. A wide entablature rests on the columns, adorned with elegant consoles along the frieze; in the odd tiers below the entablature are shallow pediments. In the fifth tier, the arch of the opening rests on large console supports with panels between them, and the upper part of the arch cuts into the edge of the roof, forming a semblance of skylights. The lower tier along the east-west axis is pierced by a high arched passage. Small openings in the internal walls of its massive supports lead to a storage room and to the stairs to the second tier. The other tiers are separated by wooden ceilings with hatches for the stairs.
The rectory is a one-story square building with a high hipped roof over plastered and whitewashed brick walls. A small late addition adjoins from the south. The strict facades are enlivened by a three-step cornice without brackets and wooden window frames. Inside, the house is divided by a stone wall into two halves. The western part is divided into three rooms of equal size, while the eastern part contains a dining room with an exterior door and a prosphora room, separated by a wooden partition. The windows on the eastern and western facades are protected by 19th-century grilles with intricate patterns, unique to each window. Inside the house, an Empire-style cupboard has been preserved.
The fence and Holy Gates. The original brick part of the fence surrounds the western, almost square section of the cemetery. It continues with a wooden picket fence, interrupted on the eastern side by the ceremonial Holy Gates. Their wide arched passage, decorated with an elegant Empire-style grille, is flanked by pairs of massive Tuscan columns, and above the passage rises an entablature-attic with a gentle trapezoidal pediment. The sections of the wall adjacent to the passage rise in a wave towards the center, pierced by narrow arched gate openings. The section of the fence around the cemetery consists of a low brick wall with square pillars, between which a metal grille of simple design is secured. The corners of the fence are marked by blind round towers the height of a person, decorated with panels. These towers, like the intermediate pillars of the fence, are topped with simple wooden crosses. The entrance from the west is very modestly designed.
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