The settlement of Aderbievka was founded in the 1870s on the site of the former Aderbievskaya stanitsa, which was part of the Shapsug coastal battalion stationed on the Black Sea coast after the end of the Caucasian War. In 1870, after the disbandment of the regiment, the locality received the status of a village and then began to be actively populated, transforming into a selo.

In the early 20th century, wealthy residents raised funds to build a stone church dedicated to St. Nicholas the Wonderworker in 1906, on the site of a wooden church that had burned down due to a lightning strike. The first divine liturgy took place in the new church that same year.

The church in Aderbievka stood out among other rural churches with its decorative embellishments, finishing, and frescoes. Next to it was a church parish school.

During the Soviet era, the St. Nicholas the Wonderworker Church was destroyed, and its restoration in Aderbievka was carried out based on preserved photographs and eyewitness accounts.

Based on documentary sources that preserved images of the church, plans for restoration were developed at the Gelendzhik Architecture and Urban Planning Department, executed by architect A.V. Krishtopchik and engineer V.P. Popandopulo.

The stone building of the St. Nicholas the Wonderworker Church in Aderbievka, with its bell tower, is designed in the Neo-Byzantine style, incorporating Russian-Byzantine elements from the late 19th and early 20th centuries. Above the main volume of the church rises an octagonal lantern with semicircular windows, adorned with a cornice that smoothly transitions into an onion dome. The central dome is surrounded by low decorative drums with smaller domes, in accordance with the Greek Orthodox canon. The metal covering of the domes imitates the tiles characteristic of Byzantine architecture. Five gilded domes are topped with Orthodox crosses. The architectural composition of the church harmoniously combines a compact main volume and a bell tower, creating an expressive silhouette.

The total height of the church is about 21.5 meters. In plan, the free-standing church resembles a Latin cross, measuring about 20.5 meters in length and 15 meters in width. The configuration of the protruding parts of the church approaches that of a Greek cross. The beveled corners of the main cube create a transition between straight and curved forms. The facades of the southern and northern narthexes are completed with a pediment and cornice.

Decorative elements of the exterior include keel-shaped forms characteristic of Moscow architecture from the 15th to 17th centuries. The facades are adorned with portals and windows with keel-shaped moldings. The walls are faced with plinths made of hewn limestone in ochre color. The church lacks the striped masonry typical of Byzantine buildings. The volume of the church is divided by a window cornice and a border along the base line. Decorative 'dry crackers' adorn the cornices of the main volume and the facades of the narthexes.

Above the western narthex is a three-tiered bell tower with a spiral staircase. The first tier contains a bell cube, above which is an octagon for the bells on the third tier. The bell tower is topped with a high tent with a gilded dome and cross.

After restoration, the church underwent some changes: the roof pitch was increased, the height of the tent above the bell tower was raised, and four decorative drums were integrated into the overall style of the building.