The village of Patakino, now located in the Kameshkovo district of the Vladimir region, belonged to the landowner Ivan Fyodorovich Akinfov in the 17th century. In the mid-17th century, he built a church here, consecrated in honor of the Resurrection of Christ. In 1656, the patriarch ordered that a tribute of one ruble, seven altyns, and two kopecks be collected from this church, as well as an entrance fee of one grivna.

In 1776, thanks to the efforts of the parishioners, a cemetery church was built in the village of Patakino, attached to the Trinity stone church of the same village. In the late 19th century, the Resurrection church was renovated with funds from the parishioners. Until its closure in the 1930s, funeral services and festive liturgies were held here.

In connection with the establishment of the Museum of Wooden Architecture, the church was moved to Suzdal in 1969-1970 and restored by architects L. V. and V. M. Anisimov.

The church has a three-part and traditional composition, similar to the brick church of Saints Boris and Gleb in Suzdal, built in 1749. Both churches have an elongated shape, consisting of a square base, a refectory, and an attached bell tower.

The temple was built as a modest parish church, attractive for its proportionality and constructive rationality, achieved through centuries-old traditions. The main part of the temple is designed as an octagon on a square base, topped with a dome on a drum. The interior features a ceiling type made as a chopped octagonal tent, showing traces of whitewashing. The refectory and porch adjoin the main volume, above which rises an octagonal bell tower with a tented top. At the level of the belfry, the bell tower slightly expands. The iconostasis has been restored in the church. The domes and drums are covered with wooden shingles, while the other roofs are made of planks.

An apse is attached to the eastern side, with the entrance located on the bell tower side. The bell tower of the church of Boris and Gleb was built in the Baroque era and retains Baroque decor, topped with a slender spire made in a new style that came from St. Petersburg.