The Trinity Church was built in 1808 based on the project of provincial architect F. Roslyakov on the site of an old wooden monastery church. Since 1595, one of the largest monasteries in Vyatka, the male Istoben Monastery of the Holy Trinity, was located here, which was closed in 1771 as a result of Catherine II's church reform. Since then, the monastery church became a parish church.

By the end of the 18th century, the rural parish had significantly increased, and it was necessary to strengthen the dilapidated church. Roslyakov proposed a project for a new stone building. In the early 20th century, architect I. Charushin suggested modernizing the old church, but his project was never realized, and today we see a church from the early 19th century that has preserved its original interior.

The Istoben Monastery ceased to exist in the 1770s by order of Catherine II, and the monastery church became a parish church. Provincial architect Roslyakov, after inspecting the wooden church, concluded that it was impossible to repair it due to severe wear. In 1799, he developed a project for a stone church. In September 1807, materials for construction were prepared, the plan and facade were approved, and the construction was entrusted to a team of Vyatka stone masons. Although Roslyakov was no longer alive, the church was built according to his project, and in November 1808, the southern chapel of the warm church in the name of the Uncreated Image of the Savior was consecrated.

Today, the church has three altars. The main altar is dedicated to the Life-Giving Trinity, the right warm chapel is dedicated to the Savior, and the left is dedicated to the Introduction. The church is elongated along the Vyatka River and built in the classical style. It is enormous but harmonious and integral. The main church is an octagon on a square base, topped with a dome with lanterns and skylights. The altar part is distinguished by a faceted apse, and the refectory part is very spacious. The bell tower is impressive: it is a solid cylinder with octagonal tiers of bells, windows, and skylights. The length of the church without the porch is 45.16 m, and the width is 17.72 m.

The church is surrounded by a metal fence with stone pillars placed at equal distances from each other. On the eastern side, the fence follows the contours of the apse, while on the western side, there are two gates. The interior walls of the church are plastered and decorated with oil paintings featuring ornaments and religious images. In 1865, the icons for the warm church were painted by Vyatka icon painter and educator Nikolai Alexandrovich Chernyshov.

Roslyakov was known for his conciseness in choosing architectural details. He preferred panels, recesses for windows, and convex rectangles beneath them. However, the rhythmic sequence was clear and logical, without excesses. This was a church for a village where river workers lived. Surprisingly, the beautiful interiors have survived to this day.