The Church of the Nativity of Christ is built in expressive forms of late Baroque, characteristic of the province, with motifs that were accurately reproduced in the 19th century. The original structure of the temple was traditional: to the main two-light square, topped with an octagonal dome, narrower and twice lower volumes of the five-sided apse and rectangular refectory adjoined from the east and west. As a result of reconstructions and expansions in the 19th century, the refectory acquired an independent composition, comparable in significance to the main volume of the temple. In the interior, the main four-tiered iconostasis of the 19th century, made of pine with linden carvings, was completely gilded; the one-tiered two-row iconostasis of the Elevation Chapel was white with gilded carvings and decorated with 12 columns. The walls and vaults were painted: in the temple in 1857, in the refectory in 1885. By the beginning of the 21st century, the crowning parts of the building were lost: the octagon of the main volume with a high dome, topped with a faceted, probably light drum, with a gabled roof and a small onion dome, as well as the dome above the refectory.

In the composition of the preserved parts of the building, the cubic two-light square dominates, to which the apse adjoins from the east, and a narrow passage leads to the refectory from the west. Almost square in plan and significantly wider than the main volume, the refectory has a small square piercing the roof in the middle, topped with a high hemispherical dome with four lanterns. The roof of the porch has a cylindrical shape and is a late addition.

The facades of the main volume are decorated with expressive Baroque decor. The walls are divided by a developed cornice, on the northern and southern walls in each tier there are three tall windows, the openings of the lower light are now bricked up. Paired pilasters with corner projections are installed on the flanks; similar, but single pilasters decorate the edges of the apse. The completion of the walls is decorated with profiled cornices on the pilasters. The frames of the arched windows, double-layered and large, are typically Baroque: with semicircular aprons, ears, pendants, and high raised architraves. The refectory has a similar, but somewhat simplified decoration, especially in the profiles of the cornices. On its side facades, in five openings, the middle parts with a door and two windows are highlighted by pilasters and topped with triangular pediments.

In the interior, the main altar, connected to the square by three openings, is bricked up and covered with a barrel vault with three troughs above the eastern edges. Four cross-shaped columns in the center of the refectory and arches spanning between them and the walls divide it into three naves. In the cells of the narrower side naves, sail vaults are laid, while the wide central nave has a dome on sails in the center and barrel vaults above the outer parts. The plaster finish of the walls has partially survived.